The Cold Clear Spring
From the Chinese of Li Po (A.D. 702-762)
Blue night o’er the mountain wilds—but there’s company here,
For the Cold Clear Spring is quietly chattering so:
A ripple and twitter of tune that I ought to know
Is caught or wrought in the rush-rimmed waters clear.
A wild little witch of a runlet, lonely and dear,
In the mountain wilds, and the wind in the pines to blow—
Night broods in the sky—but there’s excellent company here
While the Cold Clear Spring is quietly chattering so.
I know—’tis the songs I left unsung I hear—
The songs unsung and the thoughts unspoken flow
In its lilt and twitter and ripple and whispering low;
And the wind in the pines is the lutanist.—Dark and drear
Night broods o’er the mountain wilds—but there’s merriment here
While the Cold Clear Spring is quietly chattering so. . . .
The Theosophical Path, July 1918
A venue to share my enthusiasm for the Welsh-born fantasist, Kenneth Morris (1879-1937)
Tuesday, September 24, 2024
The Cold Clear Spring
Sunday, September 15, 2024
Bamboo-and-orange Poem
Bamboo-and-orange Poem
After Li Po
Whilst I sit by my window here
A breeze all sweet with orange-bloom,
Blowing by me, fills the room,
And I hear orange-venders near
Crying their wares, and see the glow
Of gold globed fruit on the trees below;
And take my brush and ink, and clear
On the white paper page let fall
Glyphs like orange-blooms,—and all,
Fall’n, become scent, bloom, trees, fruit, call
Of orange-venders where they go,—
A poem the ends of the earth shall know.
And whilst I sit by the window here,
I watch the bamboos sway to and fro,
And hear their swish and whispers low
Like gray raindrops drifting drear,
Or a far stream o’er mountain stones,
Or a far scythe the reaper hones;
And take my brush and ink, and strew
Glyphs like sprigs of young bamboo,
That by some witchcraft echo again
Bamboo-sounds,—scythe, stream, drift of rain;
And when the page is covered, lo,
A poem a thousand years shall hear!
And time shall lay the bamboos by,
And bloom, fruit, scent, trees, groves shall go,
And they that cry the fruit shall die,
And I. . . . But the poem has naught to fear.
The Theosophical Path, January 1924
Sunday, September 1, 2024
Li Po Visits a Fallen Terrace on the Yangste Kiang
Li Po Visits a Fallen Terrace on the Yangste Kiang
Wild-grown willows hide away
The fallen terrace where, of old,
So many guests came, night and day,
With lutany and laughter gay,
Or hushed, to watch the rise of the Moon.
Down on the stream, now waning gold,
The water-chestnut gatherers sing
Till dim eve’s haunted with their song
Where the Great Kiang’s waves seaward are rolled.
But none else comes here, morn or noon,
And no one listens to their song;
And there’s no guest now, all night long,
In autumn time or bloom-mad spring,
But the Great Kiang and the yellow Moon.
The Theosophical Path, March 1930